Modus Operandi


This ongoing series of shots is an exercise on rigor and formal simplicity, and was born out of the need to explore a simpler, rawer, more austere and more "neutral" approach to my favourite current object of interest in photography - the landscape of my local area, both human-altered and natural. Fresh perspectives can always reveal themselves quite helpful in expanding your point of view on something and your technical ability to present it, and I felt it was a good moment to add this to my work. The choice of getting rid of colours and a lot of post-editing tasks, and using only a black and white palette, is precisely aimed at forcing myself to explore what's left, so to speak - objects, light, space. In a purer, more straightforward way. While my other series include a strong personal element, ranging from strong moods to irony and playfulness, the point of this ongoing body of work is to step back a little to that extent and focus on subjects, composition and their interaction with light and negative space, with a cleaner and more unobtrusive shooting and editing approach. And since, on the other hand, no point of view can ever be completely impartial, and I am not interested in doing a mere documentary work for the sake of it, this series may also come out as an exploration of the thin border between subjectivity and objectivity in (my) landscape photography.


(click to enlarge)

Using Format